English Painter, 1782-1875 was an English painter specialising in portraits. He was a Royal Academician for almost fifty years, and painted many of the most notable figures of his time. Born in London, Pickersgill was adopted in his youth by a Mr Hall, a silk manufacturer in Spitalfields, who financed his schooling and then took him into the family business. However, when war caused difficult trading conditions, Pickersgill opted to develop his talent for painting into a career, and was a pupil of landscape artist George Arnald between 1802 - 1805 before entering the Royal Academy Schools as a student in November 1805.His early subjects were varied and included landscapes and classical and historical themes, but he eventually settled to portraiture as his speciality. His first exhibit at the Royal Academy was a portrait of his benefactor Mr Hall, and during his lifetime he showed a total of 384 paintings there. He was elected to associate membership of the Academy in November 1822 and full membership in February 1826. Pickersgill was one of the pre-eminent portrait painters of his day. William Wordsworth, George Stephenson, Jeremy Bentham, Elizabeth Barrett Browning, Lord Nelson, the Duke of Wellington and Faraday were among the many notable people who sat for him. He famously painted author James Silk Buckingham and his wife Elizabeth in Arab costume in 1816, reflecting Buckingham's own travels in the East as well as the fashion of the times for the Orient. The National Portrait Gallery, London has over 50 of his portraits in its collection, including 16 original oils and 35 engravings after him, along with a small number of portraits of Pickersgill himself by others. From 1856?C64 he was librarian of the Royal Academy. He retired from the institution in December 1872, and died at his home in Blandford Square, London at the age of 93. Pickersgill's brother Richard, son Henry Hall and nephew Frederick Richard were also painters.  Related Paintings of Henry William Pickersgill :. | vattenlandskap | Road to Calvary (mk05) | Woman in a Corset Woman in a Corset -y | Madonna of the Rosengarden fhg | Portrait of Gerolamo di Romano called Romanino |
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MOLA, Pier Francesco
Italian Baroque Era Painter, 1612-1666 Painter and draughtsman, son of (1) Giovanni Battista Mola. His most characteristic works are small, intensely romantic scenes from mythology, the Bible, and from works by the poet Torquato Tasso, set in landscapes inspired by Venetian art. Yet he also received important public commissions for frescoes and altarpieces, and in his mature work he achieved an impressive synthesis of 17th-century Roman gran maniera painting with the stronger chiaroscuro and richer palette of the 16th-century Venetian style. He was a prolific and versatile draughtsman, who drew for pleasure as well as in preparation for commissions; he was also a witty caricaturist, who mocked himself and his friends as much as more typical targets
Wjatscheslaw Grigorjewitsch Schwarz
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Angelo Morbelli
Alessandria 1853-1918 Milan,Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez.